The Behringer It is aimed primarily at live sound, but is versatile enough to be used in a studio session. One of the main success points of the design is the channel processing operation. Signal Processing: The Behringer X32 home screen shows the channel configuration in the "Configuration" tab, complete with individual signal processing steps. Integrated visual support is booming and is available in 11 places on the X32, through the use of the "View" buttons. Once the button is pressed, all the essential parameters of the selected function are displayed, for example: “EQ”. This is especially useful in the "Dynamics" section, as there are two encoders for the compressors and noise gate thresholds, available in the channel strip. Dynamics in use are represented by LEDs above and below the channel meter display, allowing the user to see which channels are using "Dynamics Processing". The channel EQ is designed with four bands, complete with full parameter control that the user can operate in using the three rotary encoders. Using High/Low Cut, High/Low Shelf, with two filter options for parameters, the user can select any one with full adjustability. The X32 offers two ways to send signals from channels to monitor buses and effects units, including four "Bus Send" encoders or the "Sends on Fader" function. By pressing the "Sends on Fader" button, the input faders send the signal to the user-chosen bus with the input fader displaying the selected bus for that channel and vice versa; If a mix bus is selected, the 16......in the center of the card ......ain. Additionally, there are buttons to select the shelf, band or filter modes. The display screen shows a frequency response graph complete with numerical values ​​for each parameter, across four subpages with the ability to reset the EQ. With the use of the utility button, the user can access another page to copy and paste EQ parameters between channels and to save or recall settings from a library. Finally, the bus routing section features level controls for adjusting the levels of four buses, while the rest are accessible in groups via buttons while the "View" screen (with numerical values ​​as mentioned) includes options for changing the pre/ post fader "Send neighboring pairs". As a result, the main "Output" has level controls to adjust the level of the "Mono" bus which also has an "On/Off" button included along with the "Stereo Bus" Pan and "On/Off" position".