In general terms, ideology can be defined as a belief generally held by groups in society, at a specific time and place. It's how we understand the world around us. By analyzing films, we can better understand how certain ideologies are formed and why they maintain or change over time. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Virtually every film presents us with ways of behavior, negative or positive, and therefore offers us an implicit or explicit morality or ideology. Each film has a slant based on the director's sense of right and wrong, an ideological perspective that favors certain characters, institutions and cultures. Recognize that films are products marketed to American audiences and that the making of a film may include a predisposition that many, if not most Americans, will respond in ways more or less parallel or identical to the material. Films are art derived from the market. There are two types of meaning in movies: Implicit: A generalization a viewer makes about a text or a topic in a text, more similar to our traditional notion of meaning. Implied meaning is a deeper level of interpretation of film content, and a viewer can use awareness of cinematic techniques, satire, symbols, and narratives or stories to help discover implied meanings. A good example of a film with numerous implicit ideologies, analyzed by numerous critics is "Pretty Women", produced in 1990. The romantic story of a relationship between a young prostitute and a very rich businessman portrays America as "the land of dreams", where everything is possible. Even implicit meanings can be noticed in the original 1960 "Psycho", where appropriate techniques such as setting, lighting and composition helped create meaning and suggest that human being is strange and dangerous. Explicit: General observations included in the film on one or more topics. This is what was clearly shown in the film. Such films are often constructed to teach or persuade viewers. A good example is the patriotic film like “The Green Berets” directed by John Wayne in 1968. “The Green Berets” is an insidious definition of propaganda. The film was made precisely because John Wayne was bothered by the anti-war sentiment in the country in 1968. With the support of the Pentagon and the approval of President Lyndon Johnson, the film was made with the specific intent of counteracting existing opinions about the war. As the film begins, a war-skeptical journalist listens to a lecture by an American Special Forces soldier who paints the Vietnam conflict in starkly simplistic terms as a fight for freedom against communist forces. Subsequently, the journalist traveled to Vietnam where he witnessed American forces participating in humanitarian acts, while the enemy engaged in brutal violence (as if Americans had never participated in brutal acts of violence against civilians). Eventually, the journalist realized his ideological mistakes and reversed his previous opposition to the conflict. There is no mention in the film of the millions of dead Vietnamese or of Agent Orange, or of the fire bombing of civilian villages. “The Green Berets” took an extremely complex conflict and reduced it to a simplistic dichotomy of good and evil, with the United States, of course, on the side of good. What's most surprising, though, is what the film leaves out. In addition to the aforementioned omission of civilian casualties, the film also omits that theThe war was started with a lie about the Gulf of Tonkin incident, the brutalities committed by US forces, and the indifference of much of the Vietnamese civilian population to their conflict. . All this in addition to exaggerating the threat posed by the Soviets. A viewer watching this film, and receiving no other information about the war, would have a one-sided view of the conflict. Most films fall into the Implicit category with the understanding that implicit presentations of ideas and values ​​have greater potency, achieved in part by mass repetition or "Culture Incorporated", suggesting that mass media reproduce the same message, again and again , in many different forms. Also, a good example of explicit films is “Casablanca”. This 1942 film, often considered one of the best films of all time, was actually supported by the War Department due to the film's pro-war stance. America was largely indifferent to involvement in the early years of the war, and films such as Casablanca, which showed Humphrey Bogart taking sides, received assistance from the military to help shape public opinion. According to war film propaganda, Casablanca's contribution is quite harmless. However, the film's overall popularity and its little-known story are a tool for the U.S. military to change minds. The trope of law and court trial in Hollywood legal film also had a political dimension and could be understood as ideological in nature. Furthermore, in the United States “ideology” appears to many to be a foreign and dangerously subversive term, and one must therefore be aware of prejudices against the term. Ideology, in contrast, is more generally normative, expressing the hopes and dreams of a society without necessarily attempting to deceive people. Indeed, the most effective and powerful ideology is the one that no one recognizes as such. According to Stephen Prince, “ideological film theory examines the ways in which films represent and express various ideologies.” Experimental films, for example, tend to question dominant ideology, provoking viewers educated in classical Hollywood cinema, and often aim to shock. The Hollywood film includes among its characteristics a significant ideological component. The images, ideas, and narratives of films have a normativeness to them. They convey messages that viewers may internalize. Many American viewers, both in the 1950s and today, let these messages wash over them as if they were somehow true. As a result, says Robert Ray, American cinema is “one of the most powerful ideological tools ever constructed.” The legal films of the 1950s and early 1960s are no exception and, in more specific terms, promote a particular ideology related to the law. The portrayal is not new, as it draws from a venerable American idea that their nation, among the nations of the world, is the one with a particular degree of fidelity to the rule of law. American films are not only seen in the American states, but are seen by large audiences around the world. Furthermore, American films first dominate the majority of the market share in the global film industry. It seems that the use of films is the best means for America to gain recognition and friendship. The films portray a smooth narrative and attract people to continue watching them from start to finish. For me, American films are still the most interesting films to watch and the easiest to understand. The promotion of the American nation through films is a phenomenon in which America subtly wants to dominate the world by spreading its ownculture, tradition and points of view through films. America's transfer of culture becomes more relevant as the concept of Americanism is known throughout the world since it became the world's superpower. America tries to make American values ​​in films meaningful to others and tries to make films a new political tactic used in world politics. The promotion of the American nation through Hollywood films involves larger populations. The popularity of American culture may cause the rest of the world to decide whether to fear or favor the promise of Americanization and a globalized planet. Hollywood movie can influence people all over the world and has several impacts both positive and negative. America is the most powerful country in the world, it has impacts on all aspects such as; politics, economics, military or even entertainment. Hollywood is always considered the leader of fashion in which actors and actresses in films portray trendy hairstyles, clothes, makeup, etc. Otherwise, Hollywood movies always contain vulgar words or aggressive behavior of Americans which led the audience to imitate them and adopt them characters in their daily lives. Hollywood is America's success story that functions as a tool to influence the ideology and culture of the entire world population. To be global is to be American. The Hollywood film industry, to me, is a form of media imperialism. Hollywood has long generally influenced the world psychologically and ideologically. As mentioned above, Hollywood is an American tool, Hollywood's access to the world is America's access. So the world society that is seen as globalized is a subtle process of Americanization. By watching the film, the audience gets a pseudo-engagement with the scenes depicted in the film. After they are exposed to film, they perceive the reality and possibility of film where films can move audiences. It means that the intimacy between film and audience becomes clearer and stronger. Films shape people's thoughts and lives as mentioned above, as audiences move to play characters or be in situations within films. According to my survey, only a third of the survey group adopted the ideology and values ​​in place in the film to their real life. It means that ideologies and value cultures influence the lives of the public less. Otherwise, the ideologies and values ​​contained in Hollywood films always cause a change in some people's behaviors and thoughts. For example, it seemed that America was the worst during the world wars, but after watching movies about the world wars, some other countries appear worse, killing others brutally and cruelly. Freedom seemed to be the main ideology of America as it usually appears in the world. movie. Freedom must be granted and “to fight was to gain freedom”. Furthermore, most films present America as the best nation in the world in terms of benevolence, morals and ethics. During the World Wars, America was the only nation that remained neutral and tried to ignore the war. But eventually, as wars became more violent and brutal and spread to many nations around the world, America became a hero who declared war on the enemy of freedom and helped the nations that had been invaded. It is found that after watching Hollywood movies, some people believe that freedom can bring peace and that they have more freedom to live in peace. Some examples of ideological assumptions in American films: Native Americans are closer to nature than Americans of other ethnic origins. the woman is destined, both biologically and.