Topic > "The Green Linnet" by William Wordsworth

In "The Green Linnet" by William Wordsworth, the intentional use of a unique poetic structure combined with careful observation of the linnet parallels the bird with the poetic act itself, demonstrating that in the absence of pathetic error, a relationship of appreciation is established between man and the natural environment. Through a characteristic rhyme scheme and rhythm, the linnet song is transformed into a form of poetry. Furthermore, the semantics and diction that describe the bird's inherent tendencies connect the animal into its natural world for the speaker of the poem Uniquely structured, the poem's rhyme and rhythm mimic the linnet's call, suggesting innate musical qualities. that nature possesses connect it to other art forms, such as poetry the rhyme scheme, aaab cccb, is not representative of any specific type of poetry ("Rhyme Scheme"), symbolizes the call of the linnet, which is unpredictable and does not follow a specific bird calling pattern (“Common Linnet”). Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original EssayBreaks in the rhyme scheme, as in the second line of the third stanza, where "lovers" (Wordsworth 18) does not directly rhyme with "flowers" (Wordsworth 17) and "bowers" (Wordsworth 19), features another level of unpredictability associated with the linnet's call. This distinction is also present in the fourth stanza, where “ecstasies” (Wordsworth 27) contradicts the rhyme established by “trees” (Wordsworth 25) and “breeze” (Wordsworth 26). Consisting of stanzas with a series of three irregularly paced lines followed by a more normally paced line, the poem's rhythm further mimics the call of the linnet, which is characterized by bursts of frenetic chirping interspersed with more fluid and coherent warbles ("Common Linnet "). The indentation of the fourth and eighth lines of each stanza suggests a pause, which emphasizes the distinction between the two speeds and the sounds that distinguish the linnet's song. In translating the linnet's song into poetic structure, it is evident that the bird's musicality inspires another art form, poetry, which serves as a representation of the natural environment. Beyond the structure of the poem, the semantics and diction of the linnet's detailed observation connect the bird to the speaker of the poem, connecting the natural world with the human world. There is an irony in the lines “Thou, that wanderest up and down the bowers, / Thou art alone in thy employment:” (Wordsworth 19-20). Although “Art” is the archaic second person present singular of “to be,” its possible double meaning referring to the linnet itself as “art” is suggested by the following lines: “A life, a presence like the air, / Scattering your joy without worry,” (Wordsworth 21-22). These lines, which on a superficial level describe the carelessness and joy of the linnet, also elevate the bird to the status of art, as does the capitalization of the words “Life,” “Presence,” and “Air” emphasize the importance and describe the overall goal of the poem itself, to spread joy and a simple appreciation for nature Comparing the purpose of the linnet to the purpose of poetry, and poetry being its own art form,. the linnet itself is seen as an artistic symbol of the natural world. The indentation of line 20 and the inversion that places “Art” at the beginning of the line also highlight this specific word, while “employment” (Wordsworth 20) emphasizes the sense of duty or purpose of both the poem and the linnet. The colons ending line 20 connect the line with subsequent ones, arguing that lines 21 and 22 characterize the linnet as “art.” In the previous stanza, the speaker gives up: “You, Linnet! in your green robe, / Spirit who presides here today, / guide the.