Pan's Labyrinth is a Spanish fantasy film about a little girl named Ofelia who is forced to move in with her pregnant mother to live with her cruel stepfather. A faun in the labyrinth tells her that she is a princess and must complete certain tasks to see the king, her true father. The music, composed by Javier Navarrete, along with the sound effects and minimal dialogue in this scene heighten the audience's feelings of suspense and terror. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The scene begins with the sound of Ophelia opening her storybook, which magically shows her what tasks she needs to complete. When the image appears on the page, very soft string and piano music plays. A voiceover is next heard as Ophelia thinks about the instructions she was given, the first being: "Use chalk to draw a door anywhere in your room." There is the faintest forward sound of chalk scraping against the wall as he closes the book. A few seconds later we see her and the sound of the plaster scraping and creaking against her walls continues and blends with the soft string music in the background. The next instruction is: “Once the door is opened, start the hourglass. Let the fairies guide you.” At this point, the chalk outline begins to boil with a sizzling sound and a door appears. “Do not eat or drink anything during your stay and return before the last grain of sand falls.” Ophelia opens the door, making a loud, heavy sound. The music here intensifies to emphasize Ophelia's wonder. The strings and brass create a darker sound using haunting minor chords. Ophelia puts down a chair so she can jump through the door into the strange new place. The music fades. Ophelia turns the hourglass and we can hear the sand start to slide through. As he begins to walk through the corridor, a strange sound reminiscent of wind or breathing can be heard in the background. In this case, the audience must use causal listening to interpret this sound since we do not know its source. He takes another look at the hourglass and the sound of the sand is softened to be very noticeable to remind the audience that their time is limited. He enters a room with a large dining table filled with food and the sound of a crackling fire is heard. She comes to the end of the table, looks up and jumps, scared. At the same time, the sound of the wind in the background produces a high-pitched sound to scare the audience as well. In front of her is a pale human creature, whose eyeballs are on the plate in front of him. He takes the plate and moves it to inspect it and the eyeballs make a gooey, gooey sound. Ophelia then looks at the walls on which the monster killing and eating children are painted. At this moment the faint sound of children crying can be heard in the background. It's unclear where this sound comes from, but we can deduce that Ophelia is imagining it. Next, Ophelia opens her bag and the fairies chirp and flap their wings when they are let out. They take Ophelia to the wall where there are three locks, of which she has a key. When he takes out the key it sounds very loud, which is another example of softening. As she tests the locks, we can hear the metal sliding together and Ophelia's nervous breathing. When he finds the lock that matches his key and opens it, the music starts again with the low brass playing long, slow chords. When the door opens and she reaches in, the music intensifies and grows until she pulls out a shiny dagger. There's also a softening here when Ophelia touches the dagger and does a.