The structure and traditional approach to literature are questioned in If on a Winter's Night a Traveler by Italo Calvino. For this peculiar narrative, the main character is called the reader and the novel is told in the second person. Every other chapter is the first chapter of a different book, but each ends abruptly when the book is lost, misprinted, or otherwise not continued; through this desperate attempt to finish the stories, the reader is taken around the world with The Other Reader, another character. In If on a Winter's Night a Traveler, Calvino creates a web of constant longing and disappointment that draws the reader deeper into the prevailing plot in search of the perfect book and way to read. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original EssayCalvino creates a universal desire for a perfect, unattainable book through the offhand comments of the novel's characters. In the readers' interactions with Professor Uzzi-Tuzzi Ludmilla, the other reader, says that books are definitive, however the professor comments on page 72 that a perfect book can “only be thought of, imagined”. Directly countering Ludmilla's idea that books are definite ideas, she suggests that within reading there is emptiness and that reading is more than what is on the page. He also suggests that each book be measured against this “imagined” perfect novel, an unattainable novel. In one of the novel's final scenes, a library reader states on page 256 that all books "carry an echo, immediately lost" of the book of his desires and that despite all his reading at the great library "none is the story" (page 257) He too has an ideal or perfect novel in mind, and his reading is fueled by dissatisfaction with everything he has read and a desire for his unattainable novel. Each is an echo to be measured against the perfect original book publisher, Cavedanga also comments on his desire for the ideal book as he longs for the "chicken coop of his childhood" (102). Cavedanga's daily interactions with the life and death of books have led him to desire carefree reading of his books. childhood again, in which the chicken coop served as a place of reading. He measures his current readings against his past, innocent readings, and tries to find the same feeling he felt as a child and which is unattainable because of his work analyzing books. Ludmilla, the other reader, makes many offhand comments about the perfect book she is looking for, including that the book she wants must “pile story upon story (92). Since the reader's ultimate desire is to please her, the romantic interest, the book becomes a hunt to find Ludmilla's perfect book. The entire novel is based on finding the book he wants, as each of them is not "the one". Through these casual comments, Calvino creates for each character the idea of ​​the perfect book and the motivations for reading it, the passion for reading meets each character's disappointment as their expectations are not met. Calvino's syntax further draws anticipation and enhances anticipation throughout the book. novel. Short sentences like on page 3 when the narrator says “Relax. Concentrate." Relieves tension and sense of urgency. Through pauses and one-word sentences the reading is slowed down and read without any urgency. This directly contrasts with the alternation of syntactic tension, creating a chase as there is relaxation and then tension. Incredibly phrases.