Music is nothing new in the world, but it has a rather deep history. Music lovers, including composers, singers and listeners, always have various reasons why they are attracted to music. However, the music industry has always attracted critics, some of whom argue that music lessons are a waste of time and that the main purpose of music is to enhance the enjoyment of life. In this essay I will argue that, in reality, music can be much more than just sweet melodies and dances can be more than just moves; music and dances play a vital role in the social, cultural and political life of people or communities. As far as Uganda's history is concerned, music has significantly played the role of combating social injustices and problems especially regarding gender violence and HIV/AIDS. For example, Philly Lutaaya has extensively used his music as a means to spread the message of HIV/AIDS throughout Uganda (Isabirye 29). HIV/AIDS is considered one of the most serious epidemics in the world. Since people have little knowledge about it, Philly Lutaaya decided to help spread the message. In addition to being praised as one of the founders of contemporary Ugandan music, Lutaaya's legacy lies primarily in pioneering HIV/AIDS campaigns in Uganda (Isabirye 29). Lutaaya capitalized on her musical talent by touring Uganda “during which she performed her music and gave speeches related to HIV/AIDS” (Isabirye 33). The most current example is the Agonga Youth Alliance (AYA) of Uganda which has decided to use art to raise awareness of HIV/AIDS (El-Bushra and Dolan 43). More importantly, music has become the primary tool for empowering discriminated groups in society. The musical performances of many girl groups now complete... middle of the card... and Chris Dolan. “Don't touch, just listen! Popular entertainment from Uganda. Review of African Political Economy, 91 (2002): 37-52. Network. December 11, 2013.Isabirye, Joel. “Philly Lutaaya: Popular Music and the Fight Against HIV/AIDS in Uganda.” Journal of Postcolonial Writing, 44.1, (2008): 29–35. Network. December 11, 2013. "No one will listen to us unless we bring our drums." AIDS and women's performance in Uganda, (n.d.): 77-108. Network. 11 December 2013.Wadiru, Stella. “Sounding the War: Acholi Folk Music in the Peace Process in Northern Uganda.” Ethnomusicology in East Africa: Perspectives from Uganda and beyond, (n.d.): 177-187. Network. 11 December 2013.Tamusuza, Sylvia Nannyonga. “Gender, Ethnicity and Politics in the Kadongo-Kamu Music of Uganda: Analysis of the Kayanda Song.” Gender, Ethnicity and Politics in Kadongo-Kamu Music of Uganda, (n.d.): 134-147. Network. December 11. 2013.